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mercredi 9 juin 2010
SÉANCE RELAXATION.
mardi 8 juin 2010
RON TRENT-THE NATURE OF RETRIBUTION 1995
Bon ok,vous allez me dire "classique de chez classique!" mais je sais pas, une force divine m'a forcé à faire ce post.
GRAND HIGH PRIEST-MARY MARY
Avant mon retour sur la capitale, j'aimerais vous envoyer de l'énergie solaire, vous faire danser et sautiller de joie avec ce pure morceau de house-broken beat venant d'un des pionniers de la house originelle de Chicago. Je vous présente Craig S.Loftis aka Grand High Priest. Sorti en 2006, "Mary Mary" mélange d'une manière atypique basse et batterie lourde soutenue par un fondamental Strictly House. Mais la quintessence de ce disque naît de l'utilisation du sample de Aretha Franklin "Mary don't you weep" extrait de son album "Amazing Grace"(1972). Time to party!
Before flying back to Paris, I'd like to send you solar energy, make you jump and dance to this pure house-broken beat track coming from one the original house Chicago pioneer. Let me introduce you to Craig S.Loftis aka Grand High Priest. Out in 2006, "Mary Mary" mixes in an atypic way drums, a heavy bass maintained by a Strictly House fundamental. But the quintessence of this records borns out of the use of Aretha Franklin's sample "Mary don't you weep"from the "Amazing Grace"album(1972). Time to party!
Before flying back to Paris, I'd like to send you solar energy, make you jump and dance to this pure house-broken beat track coming from one the original house Chicago pioneer. Let me introduce you to Craig S.Loftis aka Grand High Priest. Out in 2006, "Mary Mary" mixes in an atypic way drums, a heavy bass maintained by a Strictly House fundamental. But the quintessence of this records borns out of the use of Aretha Franklin's sample "Mary don't you weep"from the "Amazing Grace"album(1972). Time to party!
lundi 7 juin 2010
IN SYNC-STORM 1992
The following comment comes from Lee In Sync himself, on the music released on "Storm":
"There are only 4 instruments in the track - all Roland, 2 SH-101s, 1 TR-808 and 1 TR-909. There was no hardware sequencer either. Everything was synched using the drum machine triggers. The notes were recorded on the SH-101 onboard sequencers, so the tune was very limited. Also, one of the SH-101s was not working properly. I could not record the same note twice in the sequencer for some reason. You can't really set up a more basic studio than I used for that track. The track was a production nightmare in reality. I am surprised it ever made it to vinyl. There is tape noise on the recording where the cassette deck level was way to low. But....it does sound like rain. It all went wrong but ended up right it seems".
Je ne peux décrire d'une meilleure manière l'histoire de ce grand classique de techno. J'avais juste envie d'y remettre un bon coup de Stabilo. Seule conclusion: Less is more!
I can't describe better the story of this all time classic techno. I just wanted to re-give a highlight on this one. The only conclusion: Less is more!
"There are only 4 instruments in the track - all Roland, 2 SH-101s, 1 TR-808 and 1 TR-909. There was no hardware sequencer either. Everything was synched using the drum machine triggers. The notes were recorded on the SH-101 onboard sequencers, so the tune was very limited. Also, one of the SH-101s was not working properly. I could not record the same note twice in the sequencer for some reason. You can't really set up a more basic studio than I used for that track. The track was a production nightmare in reality. I am surprised it ever made it to vinyl. There is tape noise on the recording where the cassette deck level was way to low. But....it does sound like rain. It all went wrong but ended up right it seems".
Je ne peux décrire d'une meilleure manière l'histoire de ce grand classique de techno. J'avais juste envie d'y remettre un bon coup de Stabilo. Seule conclusion: Less is more!
I can't describe better the story of this all time classic techno. I just wanted to re-give a highlight on this one. The only conclusion: Less is more!
vendredi 4 juin 2010
jeudi 3 juin 2010
FOUR TET-LOVE CRY
Encore un morceau qui se mix parfaitement aux bruits des vagues et aux sirènes des bateaux. Un véritable prolongement aux rayons du soleil.
Another track which can be a perfect mix to the sound of waves and to the boat's foghorn. A real extension of the sun rays.
Another track which can be a perfect mix to the sound of waves and to the boat's foghorn. A real extension of the sun rays.
ACTRESS- HUBBLE
Je profite de cette journée délicate et ensoleillée dans le Sud de la France pour vous proposer un titre tout en apesanteur. Voici Actress alias Darren J.Cunningham qui vient de sortir l'album "Splazsh" sur Honest Jon's Records. Toute mon attention s'est donc posée sur le morceau "Hubble". 8minutes50 flottantes, atmosphériques soutenues par quelques pointes dub-step prenant une belle dimension lors d'un séjour d'été au bord de l'eau.
Taking advantage of a sunny and delicate day in the south of France to introduce you to this weightlessness track. Here is Actress alias Darren J.Cunningham who's out with the album "Splazsh" on Honest Jon's Records. I turned my attention to the "Hubble" track. 8.5 floating atmospheric minutes sustained by few dub-step notes which take its whole dimension during a summer stay by the water.
Taking advantage of a sunny and delicate day in the south of France to introduce you to this weightlessness track. Here is Actress alias Darren J.Cunningham who's out with the album "Splazsh" on Honest Jon's Records. I turned my attention to the "Hubble" track. 8.5 floating atmospheric minutes sustained by few dub-step notes which take its whole dimension during a summer stay by the water.
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